Quentin Tarantino’s fictional Shosanna Dreyfus in Inglourious Basterds wasn’t the first to substitute a film for showing to a Nazi military crowd. Though there were no luminaries in the audience, that honor probably goes to Nikola Radosevic, who recounts in The Tramp and the Dictator how he switched movies shown to a crowd of German soldiers in Yugoslavia, putting up Charles Chaplin’s lampoon of Hitler, The Great Dictator, instead of the expected fare. Make the jump»